The boy is cut off from the idyllic landscape (Garden of Eden) in which he sits beneath (Hickox and Payne, 1995)
Connotations of stone breaking as a symbol of poverty and exploitation (Hickox and Payne, 1995)
Critics of Brett regarded the painting as an idyllic scene in which the boy expressed a healthy zeal:
“this is how England’s happiest spots should be painted”